Early Summer 2011 -
The Creation of The Budokan Les Paul
In the early summer of 2011, I became aware of and very loosely involved in discussions, with Gibson, surrounding the introduction of a new, Ace Frehley Signature model Les Paul. As I would learn, my website (this website) had become the "go-to" reference regarding Ace's guitars ... even for the powers-that-be, at Gibson !! (Wow ... was I ever flattered to hear that little tid-bit of information !) They HAD paid attention to my readers poll and all of our votes.
82% / 3,530 votes for this guitar.
As Gibson Custom had been doing with recent, identical recreations of Billy Gibbons' "Pearly Gates" Les Paul, Slash's "Appetite For Destruction" Les Paul (the original is not actually a Gibson guitar, by the way) and Jimmy Page's "Number 1" and "Number 2" Les Pauls, as examples; this guitar would be a recreation of Ace's original 1974 Cherry-Burst Les Paul Custom ... one of the most iconic Les Pauls in music history.
To tell you the truth, because of that iconic status, the biggest concern for myself and the guitar's current owner, Matt Swanson, the man who truly kicked this project into gear with the Gibson people ... was simply this; How accurate and true to Ace's original guitar, would this new model be ? The reason for our concern was simple ... The 300 had been marketed as "replicas" and/or "accurate recreations" of Ace's Cherry-Burst Les Paul. When in reality (as much as I love them), they are anything but an accurate recreation. These are the details of how, what, when, where and why ...
The Ace Frehley Budokan Les Paul became a reality.
Here's how the story unfolded, leading to the Budokan Les Paul guitars ...
In 2009, I received an e-mail from a guy who said he was the current owner of Ace Frehley's original Cherry Burst Les Paul custom. To tell you the truth, I didn't even know, at that point, that Ace had sold it. That guy was Matt Swanson and he was willing to share any and all information, about the guitar. Right from our first conversation, Matt had always said that he wanted to pursue the opportunity of having Gibson re-create the guitar but wanted to know if I could assist with any details that may be overlooked by someone who wasn't as familiar with the various details of the original. Needless to say, I wasn't about to say 'No'.
Interestingly enough, one of the first questions Matt asked me, was one that I didn't know the correct answer to ... What year is this guitar ? I figured the only person I knew, who might know the correct answer was Bill Baker. So, I contacted Bill, but he wasn't sure either. We knew the serial number Gibson had put on it. But, as I mentioned above, serial numbers on Gibson guitars of the early to mid 1970's, didn't offer information that would tell us what year it was/is. So, the only way to roughly verify was by using the date codes, stamped into the potentiometers. When I passed this information along to Matt, he told me that he couldn't get the screws holding the pot-cavity plate into place, out of the guitar, with any normal amount of force. Understandably, he wasn't willing to cut them out or do anything that would potentially damage the guitar. So, instead he opted to wait until he could get the guitar to the guys at Gibson, to confirm ALL the information about the guitar at one time. I agreed 100%.
This bumps us ahead to June 1st, 2011 and an unexpeted e-mail from Matt that read ... "John ... Ace and I are at Gibson tomorrow. Here we go ... spent today at Gibson, with the guitar and learned a lot about it". Needless to say, I was THRILLED to get that news!!! Matt sent me another e-mail, from his hotel later that night ... "The guitar has a neck date of Aug 13 1974 and pots of the 37th and 52nd weeks of 1974. The center pickup was an add on by Ace..." . So, Matt, myself, Jeff, JP, Bill and all of us, who are Ace Frehley fans, finally had a concrete answer as to the vintage of Ace's guitar.It was/is a 1974. Matt and I spoke briefly, the following day to touch on any key points that I could think of. My two cents worth, in that conversation was for Gibson to ensure they accurately replicated ...
1.) The tuners have to be ... nickle plated Grovers with square, banjo buttons and not the pearloid, kidney-bean shaped ones that were used in 1997.
2.) The pickups had to be ... 1x DiMarzio Super Distortion in the bridge position and 2x DiMarzio PAFs for the middle and neck positions (I didn't want to see a repeat of the pickup discrepency in The 300) and Matt agreed.
Matt said he'd call me again if anything came up. The following morning, June 3rd, 2011, I e-mailed Matt with a question that nobody I had ever talked to knew the answer to ...
John - "Does Ace recall where he got this guitar from? Was it an endorsement deal from Gibson or did he buy it from a shop somewhere"?
Matt - "He thinks Manny's, where he got the tobacco".
John - "So he got it in the fall of '76, most likely from Manny's".
Matt - "He thinks earlier than the fall".
This is the first and only time I've ever had such direct communication, with Ace. Add to that the fact that as this was unfolding; I was in direct contact with Matt, about the production of the forthcoming Ace Frehley Budokan Les Paul Custom, before anyone in the world outside of the two of us, Ace and a half dozen guys at Gibson knew about it !?!?!
I was beside myself, to say the least !!!!!!